Existence in a green screen studio can be really exciting… if you’re not one of the cameramen, that is. It could be so dull and monotonous to keep arranging and rearranging the lighting effects as well as the rest of the equipment that is in the studio. On the other hand, for you and I who simply see the finished product, life inside the studio (especially one that boasts of the best quality green screens) is incredibly thrilling. One wonders how they are able to catch on film a person being chased by a ferocious tiger or something even worse.
There are usually images in newspapers and publications of football players in the course of a game. Occasionally, an image comes out having a specific player whose facial expression is captured vividly while carrying out his play. It’s quite possible that this particular image was really captured within the confines of the green screen studio and not on the football field. An image of the football match in progress is superimposed over the green screen which serves as the background in the studio. The football player is asked to stand in front of the screen, a look of ecstasy on his face, to replicate that moment when he made that amazing pass in the course of an important league game versus a rival team.
Of course, not all pictures are orchestrated on a green screen studio. There are a lot of photographers who risk their life and limb to get the live action on film. These are the individuals who belong to a fully different breed. Their love for the art of photography usually takes them to spots that they haven’t visited before. It also gets them involved with situations that may sometimes even cost them their lives. For instance, top rated photographers do not win prizes based on pictures that are taken in a green screen studio. Instead, they win honours according to pictures taken out in the real world without the special effects which might be conveniently and very easily produced using a green screen studio.
In the same manner, there are lots of photo specialists who feel that it is very important shoot wild creatures in their natural environment, endangering their own life in the process. A classic illustration of this is the sad story of Steve Irwin, who ended up being fatally attacked by a stingray while out filming in the ocean. There is no possibility of this type of thing happening in the green screen studio; unless of course, someone is attempting to make a movie on Irwin, wherein the final moments of the ‘croc hunter’, as Steve Irwin was more popularly named, needs to be reenacted.
To be able to do this, the actor shall be requested to perform all the movements and facial expressions that Irwin could have done in his final moments, however this time around from the backdrop of a green screen studio. Once this is accomplished, the superimposing of the underwater struggle between the stingray and the perishing Irwin would be executed by way of film editing. Compositing strategies using the newest software program are readily available for the film industry nowadays.
